Master these five shooting skills, let Flower Photography no longer bottleneck, works Zhang Zhang is different

In a sense, flower photography is a feast of colors. Whether it’s a vibrant rose or Purple Magnolia, bright flowers and lush landscapes dominate photography. Photographing the beauty of flowers is not as simple as you think. No matter how beautiful the subject is, all photos still need eyes to compose and use the right shooting techniques. Indoors, setting up lighting can be cumbersome, but it’s actually much simpler than shooting outdoors, where natural light may be too bright! The wind also brings challenges: even with the smallest breeze, flowers cannot be completely static. < / P > < p > how to shoot perfect flowers? The answer is to use five techniques such as light, depth of field and proper equipment. If you are interested in flower photography, let’s get started. < / P > < p > a macro lens is a device for close range shooting. Sometimes it’s not good to just zoom in to close-up on flowers. Macro lens allows us to take extreme close-up of the subject while keeping the photo in focus. Macro lens makes the focus of the camera closer by extending the distance between the camera sensor and lens aperture. This means that shooting with a macro lens needs to be as close to the subject as possible. This can be difficult for insects or other moving objects, but plants usually remain stationary, so shooting flowers with a macro lens is a good choice. The lens with a magnification of < / P > is not available. Technically, a true macro lens can replicate or enlarge a subject at a ratio of 1:1 or higher on the camera’s image sensor. These lenses are usually used for amazing close ups of insects. The use of macro lens in flower photography allows the photographer to fill the whole picture and present details that we will never notice with the naked eye. < / P > < p > to take amazing macro photos, you have to have expensive macro lenses. It’s going to be a lot of money, and if you’re not sure you’re really going to put a lot of effort into macro photography, you can use some cheaper options. The adapter ring is located between the lens and the camera, and the proximity lens is screwed to the end of the camera lens. Both of them can make the focal length of the camera closer to the lens, and can take a macro image with acceptable effect. < / P > < p > this technique may sound counterintuitive, but it’s an important one: don’t shoot in direct sunlight. But why? Bright flowers look great in the sun! What could be wrong? Just as LCD and plasma display technologies strive to match the color quality of the natural world, cameras face similar challenges. On sunny days, direct sunlight can prevent the camera from using too much contrast. This is a problem with hard lighting: the contrast between the light and the dark is so strong that you may not get too much detail in the end. < / P > < p > soft lighting is actually better. Cloudy days soften the light conditions, increasing color saturation and providing a more controllable range between light and shade, making the flowers look better. If it’s too sunny, you can use light diffusers and other devices to reduce the adverse effects of intense light. < / P > < p > make full use of the natural light to make a careful composition, and you can take amazing images. For example, photographing flowers in backlight can capture unexpected colors in leaves. Shadows also provide a unique silhouette and dramatic contrast. Therefore, every flower photographer should use a kind of photographic equipment, that is, macro lens. < / P > < p > roses are usually shot at a shallow depth of field to minimize and blur background elements with interference. Imagine: a beautiful image of a rose, bright, layered, and clearly focused on every detail. Now, if there’s a mess of grass and other flowers behind the rose. Due to the influence of this background, the audience’s eyes can not focus on the rose correctly. < / P > < p > using a large aperture will capture a shallow depth of field, which will be separated from the background by flowers. The quality of the lens aperture will also affect the shooting effect. There is also an aesthetic quality of the background called & quot; shot & quot;, which has an aesthetic and romantic effect, and is influenced by the number of leaves in the lens aperture. The pleasant fuzzy effect can prevent the background from disturbing the main body of flowers. In other words, do not focus all lenses on a single shot with a shallow depth of field. Simply shooting from the right angle minimizes background interference, and sometimes having multiple plants makes the picture more interesting. For such a scene, use a medium depth of field to keep more elements of the picture clearly focused. < p > < p > Flower Photography tends to remind us of blooming flowers in close focus. A close-up with a deeper depth of field is ideal for striking images, but sometimes it’s a good choice to step back and take pictures of flowers. < / P > < p > don’t just focus on one flower, try shooting the whole scene, or interesting flowers, or mossy protruding rocks. Shoot from an interesting angle. Maybe that means being close to a group of flowers and shooting at a deeper depth of field to keep all the elements in the background clear. Shoot from a low angle to keep the plants in balance with the sky. In the right position, the scale of the landscape photo will be more vivid than the usual close-up. < / P > < p > in a warm summer day, with the sun shining and the breeze blowing, what’s better than going out to shoot flowers? But you have a problem: the breeze can make flowers and other plants shake. You can wait for the breeze to fade to continue shooting, or use another option: clear freeze at high shutter speed. The camera shutter will open in a short time, minimizing the chance of blurring the picture due to motion. But when the wind is strong, the possibility of clear shooting becomes less. < / P > < p > there is a better solution: against the wind! To be more precise, it is to prevent the wind from affecting the flowers. There are two ways to fight the wind when shooting flowers or other plants. First: consider taking windbreak measures to calm the air around the subject. For example, a tripod between a flower and the wind can support a piece of cardboard or a reflector to block the airflow. If the wind blows gently, the backpack can also achieve good shooting effect. < / P > < p > secondly, the remote control shutter line combined with tripod is very suitable for flower photography, especially in the case of wind. Touching the camera always produces a small amount of shaking. Outdoor photography of flowers is usually taken at a relatively low shutter speed, so minimize camera jitter. When the breeze blows, you never know when the perfect moment will come. With the remote wireless shutter cable, you don’t have to hover your finger over the camera, but just put your hand on the shutter button in a comfortable position and wait. < / P > < p > photographing flowers is not a simple way to shoot. You need to use the above five skills, take them seriously and shoot creatively, so that your works can stand out from a large number of shooting. If you have good flower photography skills or good flower photography works, please share them in the discussion area! 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Author: zmhuaxia