Why use stannikon Video Script to make movies

In the beginning of this 4 minutes and 11 seconds, bond and his female partner first took part in the dead’s Day Carnival on the street, then entered a hotel room together, and finally stepped out of the window sill alone to carry out the assassination mission. < / P > < p > from beginning to end, bond’s movements and demeanors were captured by our eyes – thanks to the smooth movement and smooth rotation of the camera around him, which captured almost all the details. < / P > < p > first of all, it’s heavy to carry. Mainly using arri’s cameras, the heaviest is 10.5kg. Carrying it for a day is a great test for the photographer’s physical strength. < / P > < p > secondly, it shakes when it is carried. We can simplify the camera on the shoulder into a labor-saving lever. Because the force applied on the hand is always changing, the lever is almost always unable to balance, making the camera rotate up and down around the fulcrum. < / P > < p > needless to say, the shoulder as the fulcrum will also move from time to time, making the system more unstable. This phenomenon will be accompanied by the increase in the range of human action, and eventually make the screen shake violently and become a waste film. < / P > < p > in the opening footage, the crew used two devices, a rocker arm and a rail car, to capture bond on the street and on the eaves. They can carry heavy cameras well and move precisely according to preset trajectories. < / P > < p > however, when bond walked into the hotel, the rocker arms and railcars didn’t work. The cramped interior space can not accommodate the huge rocker arm, and there is not enough ground to lay track. < / P > < p > this is Deng Lu, a stannikon photographer. Her representative works are and. < p > < p > Deng Lu: “including the vest, then the shock absorption arm, which is the spring arm. Another one is the pole, which we have a universal joint. “< / P > < p > the” pole “in her mouth is stannikon’s stabilizer. It contains a number of detachable structures, from top to bottom are pan tilt, universal joint, display bracket, battery bracket, and a telescopic rod is in the middle. < / P > < p > once the photographer directly applies force to the center of gravity, the system will only move linearly in the direction of the force, instead of rotating under the action of torque, thus avoiding unnecessary shaking. < / P > < p > the force application point of the photographer is the handle connected to the universal joint. It’s a magical device that you can make yourself at home. It consists of three gimbals, each of which is mounted on the orthogonal pivot axis of the other gimbals. However, stannikon’s stabilizer loads the battery, display and fuselage separately, which makes the distance from each part to the rotating shaft longer and increases the moment of inertia of the system. < / P > < p > however, although the increase in weight can prevent rotation and partly solve the problem of camera jitter, it is still a difficult problem for photographers to move such a heavy system. < / P > < p > at this point, you need to use stannikon’s shock absorber arm. One end of the camera is connected with a stabilizer and the other end is connected with a load vest, so that the photographer no longer needs to hold the machine all the time, but uses his legs with a certain strength of abdominal and dorsal muscles. < / P > < p > the damping arm is inspired by the folding table lamp. It consists of two groups of parallelogram connected by hinges to simulate the upper arm, forearm and elbow. < / P > < p > in order to better understand the mechanical principle of the shock absorber arm, we may as well simplify it to a metal parallelogram: two vertices on the left are fixed on the wall, and the weight is suspended at the lower right, and the gravity is FZ. There are forces FA, FB and FC in the metal strips a, B and spring C. No matter how the parallelogram deforms, how the angle changes, how the spring elongates, the only vertical tension FB in the system is always equal to FZ. < / P > < p > that is, no matter how the photographer runs and jumps, the kinetic energy generated will not be transferred to the stabilizer and camera along with the shock arm. This property is called isoelasticity. < / P > < p > after adjusting the vest and shock arm, the photographer can begin to put stannikon on. The stabilizer and camera can be suspended in the air, making it convenient for the photographer to compose the picture through the universal joint and obtain a stable picture at the same time. < / P > < p > with the cooperation of the crew, the photographer can take amazing pictures with stannikon. Two years after stannikon came out, inventor Garrett Brown took it with him to shoot. < / P > < p > in this classic running scene, the photographer follows rocky up the steps step by step, and finally walks behind him, presenting the scene in front of rocky with a 360 ° surround lens. < / P > < p > in order to make such a picture with stannikon, the photographer needs to practice a special step. In addition to always keeping a small step, two feet do not land at the same time, there are advanced spring steps. Deng Lu: “it will be a very good partner for you. But if you’ve been practicing for a week at first, you’ll find that he’s the one fighting with you. “< / P > < p > however, once you’ve done it, you can make very long shots. Deng Lu recommended a movie that she liked very much. < / P > < p > at the beginning of the film, the director fully explains the time and space of the protagonist through a 3-minute long shot, and reveals the character’s personality through many details. Deng Lu: “the photographer hypnotized you, successfully hypnotized you into the story, so that you didn’t notice that the scene was not cut. It’s a very good shot. Of course, today, stannikon is not the only choice for stabilizers. With the development of brushless motor, MEMS, gyroscope and other technologies, ordinary people can also shoot a stable and smooth picture for thousands of yuan. < / P > < p > it symbolizes a mechanical structure that can hardly be broken down, super load-bearing capacity, dozens of innovative narrative angles, and hundreds of thousands of classic films born from it. < / P > < p > if we compare movies to visual deception, then, as Xiao Li Zi said, the magic tricks created by stannikon and the photographer are really not legal. Xiaomi new machine real machine exposure center dig hole screen design or high color thousand yuan machine