World famous flower photographer shooting skills Q & A, understand the shooting process, improve the level of photography

I’ve been following British flower photographer mark price for a long time. His images of flowers are unparalleled and have inspired many people. Recently, mark released his series of flower photography. Seeing these works, I was shocked by the beautiful pictures. The use of light in this series is perfect, with a strong sense of detail. And to achieve a perfect balance of all elements of the subject, background and light, so that people have a different, unforgettable feeling. < / P > < p > in the dialogue with mark, I shared more about the process of shooting beautiful flowers. I hope these questions and answers can improve your flower photography skills. < / P > < p >: I’m a semi professional photographer near Brighton, on the south coast of England. I have been working in imaging for about 7 years,. I’m fascinated by nature, and I love to create works of art that reflect the incredible landscape of the world. < / P > < p > in addition to the grand scenery, I’m also interested in more subtle details. Especially in the UK, there are all kinds of wild flowers, animals and plants throughout the year, which is the best time to shoot. When I go out, I am always attracted by the beauty of flowers and grass. It’s like reintroducing color and life into the natural landscape after hibernation. < / P > < p > this year, given the current situation we all face, I’ve been looking for a photography project that doesn’t have to go far away. With this in mind, I will focus on the theme of flowers, flowers can be seen everywhere, with bright colors, changeable shapes and other characteristics, very suitable to show some of my views. < / P > < p > I used two lenses to shoot the entire flower series: a Tenglong 90mm macro lens and a Shima 100-400 telephoto lens. For a single flower or very close to a flower, the macro lens may be a good choice due to the short focus distance, but for many images, 100-400 is used. < / P > < p > for shooting a group of flowers while maintaining a very intimate feeling and an ideal shallow depth of field, a long focus with a large aperture is ideal. I can shoot large and small flowers from a distance. I also like my telephoto lens to render out the defocus effect of light. < / P > < p > I think as I gradually develop my own style of shooting and my understanding of the effect of a good photo, the light around the main body of the flower becomes more and more important. This series of flower works, most of the time is shot later in the day, there are still some light on the flowers and affect my composition. I mostly use the backlight at the top of the screen to shoot. The high profile that backlight can shoot is what I pursue. I’ve been looking for the softness, the diffusion and the color of the light, so the last few hours of the day are the best time for me to shoot. < / P > < p > when shooting, I found that the attraction of the background is crucial to the picture. Because the depth of field is too shallow, the background actually becomes a fuzzy color or light shape, so the main body of each picture needs to be carefully separated from the background, or at least not overwhelmed by strong colors. If the background is too bright, too dark, or color coordination is not good, the effect of the image is not very good, causing the audience’s eyes to move away from the main frame of the picture. < / P > < p > in most of the images in the series, I shot them 20-60 cm above the ground, sometimes even lower. It depends on the height of the sun. If the camera angle is too high, the main body of each image is easily mixed with the surrounding environment. Shooting from a lower angle, the light through the flower is more visible, which is usually more attractive. I’ve found that in many cases, by shooting from a lower angle, you can always find some really immersive and distinctive composition. I think that once you find the right object for this kind of image, it’s better to try shooting from different heights, so as to use the light in the scene to shoot different effects as much as possible. < / P > < p > in the wild, I look for complete, healthy and clean looking flowers. I also want to consider how the light works with the main body of the flower, how the object works in the surrounding environment and what the background might be, depending on the focal length and perspective I choose. I also try to think about the edges of the picture, rather than the distracting primary colors near the edges. In my scene, I often think of the whole scene to have a good color balance and harmonious picture. < / P > < p > once I find a pleasant picture, I make sure I use good shooting techniques. Usually, I want some parts of the scene’s key elements to be clearly focused, so I’ll use live view mode to check for good focus and start shooting some pictures. Sometimes, I look for the posture of flowers moving in the wind to capture a dynamic visual effect. Although the clarity of the focus in the picture can be effective, this type of flexibility, mobility and deformation effects are also very creative, so I will consider this when shooting to see which shooting method is most appropriate. < / P > < p > some other aspects I’m thinking about are whether I can use objects in a scene to create interesting effects. For example, photographing the main subject through a flower can produce beautiful colors. In some cases, I’m looking for water droplets on the flower to shoot visually interesting details. < / P > < p > in post-processing, I usually look at each image: first, make sure the main body of the flower is clear enough. Color harmony and color temperature are very important to me. I tried to use a different white balance to make the color of the whole image consistent. I also cut the composition creatively. I think what is left or removed from the picture may be a very important aspect that will ultimately affect the effect of the picture. < / P > < p > I’ve always wanted to eliminate or reduce the element of excessive distraction. For example, remove bright areas and small spots to keep the picture simple. I also want to make sure that there are no dark wind areas in the background and can use color scales and curves to correct. < / P > < p > in order to complete each image, I often adjust the color balance in Photoshop, especially for further processing of highlights. My overall goal has always been to produce visually engaging work. < / P > < p > I think finding the right way to make a close-up image is a huge challenge. From the first few photos I took, I found that these images were in the right direction, but because my camera height or angle of view was not correct, I felt that they were not the effect I wanted to shoot. As with landscape photography, perseverance, patience and willingness to fail often helped me overcome some of my initial disappointments and help me finish the shooting. < / P > < p > one of the most satisfying aspects of shooting this series is that it has given me a new understanding of the art of photography, re inspired my creativity and worked with available works. Although I was constrained by my geographical location, I found that I had produced satisfactory works after I had rich imagination. < / P > < p > from the interview with mark, we can conclude that the smaller landscape outside our own door can capture a large number of perfect natural images. Therefore, I hope to find some of my own visual style in this series of works. American companies begin to give up R & D: who should pay for corporate research?

Author: zmhuaxia